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Women Talking, by Miriam Toews
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Review
"Miriam Toews is wickedly funny and fearlessly honest… She is an artist of escape; she always finds a way for her characters, trapped by circumstance, to liberate themselves." - The New Yorker"The book is a feminist manifesto that delicately unwraps the horror, but also bubbles with the love and wry humor that has endeared Toews to readers." - The New York Times"A painful, thought-provoking, strangely lovely gem rendered broadly relevant by our #MeToo moment....At the heart of Women Talking lies the question of how women can create a better world for themselves and for those they love amid a culture of male sexual violence, the continued power of patriarchy, their own differences, and the limits of language itself. It’s a question that resonates across the globe today, and in answering it, we could do much worse than to start with the manifesto of the women of Molotschna: “We want our children to be safe . . . We want to be steadfast in our faith. We want to think." - The Boston Globe"An astonishment, a volcano of a novel with slowly and furiously mounting pressures of anguish and love and rage. No other book I've read in the past year has spoken so lucidly about our current moment, and yet none has felt as timeless; the always-wondrous Miriam Toews has written a book as close to a Greek tragedy as a contemporary Western novelist can come." - Lauren Groff, author of FATES AND FURIES and FLORIDA"The award-winning novelist returns with what may be her most experimental work yet, giving voice to eight women as they grapple with the trauma and power of patriarchy." - Entertainment Weekly, “50 Most Anticipated Books of 2019â€"I am in awe of this novel. In Toews's brilliant design, eight women in a Mennonite hayloft manage to lay bare the rancid global root system of patriarchy. Their story is terrifying, joyful, gruesome, and magnetic. What a reckoning--and what a gift." - Leni Zumas, author of RED CLOCKS"I would follow the Canadian author anywhere she leads ― this time to a remote Mennonite colony in Bolivia where the women have been subjected to brutal attacks in the night first believed to be the work of demons. When they discover the atrocities were committed by men in their community, the women ― who cannot read or write and require the group’s schoolteacher to write down their conversations ― must decide whether they will leave, exiting the only world they’ve known, or remain." - Huffington Post, "61 Books We're Looking Forward to Reading in 2019""This stark, masterful story takes a timely look at ideas of justice and agency." - Esquire, The Best Books to Read This Spring"One of the most exciting novels coming out this year." - LitHub, "Most Anticipated Books of 2019""Sharp and devastating… a testament to the power of women’s collective voices." - Buzzfeed"Toews nimbly navigates this complicated story, laden with relevant political overtones, offering a scathing condemnation of the patriarchy, as well as a sense of hope for a future run by those who won’t stay silent about the horrors around them." - Nylon, "50 Books You'll Want to Read in 2019""A flawless, ferocious work of art. I have yet to read a more scathing indictment of patriarchal violence, or a more illuminating quest to comprehend the most vital contours of the human experience: what is agency, what is meaning, what is justice, what is love. This is the kind of novel that changes you. Get ready." - Laura van den Berg, author of THE THIRD HOTEL"Miriam Toews has written a modern classic as real and warm and terrifying as a pail of fresh blood. It's a perfect work of art that will leave you ill with awe." - Catherine Lacey, author of THE ANSWERS and NOBODY IS EVER MISSING"[A] sharp blade of a novel . . . Toews’ knowing wit and grasp of dire subjects align her with Margaret Atwood, while her novel’s slicing concision and nearly Socratic dialogue has the impact of a courtroom drama or a Greek tragedy." - Booklist, Starred Review"Powerful . . . This is an inspiring and unforgettable novel." - Publishers Weekly, Starred Review"An exquisite critique of patriarchal culture . . . riveting and revelatory . . . Stunningly original and altogether arresting." - Kirkus Reviews, starred review"Unforgettable." - PureWow"Women Talking wants another world to be possible, and in the re-scripting of reality into fiction, attempts to imagine it where it has not yet grown of its own volition . . . The novel reminds us how difficult it is to know how to live, forgive others or ourselves, seek justice, or know freedom. No matter the depth of their solidarity, we can imagine that each individual will undoubtedly spend a lifetime coming to their own answers, seeking knowledge with their own hard-won words. But we can hope that the common questions asked by women talking, by Women Talking--their listening, their anger and love, their sometimes vastly differing conclusions--might offer a further way of seeing and finally choosing." - Madeleine Thien, author of DO NOT SAY WE HAVE NOTHING, Literary Review of Canada"WOMEN TALKING is one of the most anticipated books of the year for a reason. The story (based on true events) focuses on eight Mennonite women who ― after being repeatedly drugged and attacked by a group of men in their community ― meet in secret and decide how to reclaim their lives not just for their own future, but also for their daughters." - Woman’s Day, Best Fiction Books of 2019
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About the Author
Miriam Toews is the author of six previous bestselling novels, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, and Irma Voth, and one work of nonfiction, Swing Low: A Life. She is winner of the Governor General's Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers' Trust Fiction Prize, and the Writers' Trust Engel/Findley Award. She lives in Toronto.
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Product details
Hardcover: 240 pages
Publisher: Bloomsbury Publishing (April 2, 2019)
Language: English
ISBN-10: 1635572584
ISBN-13: 978-1635572582
Product Dimensions:
5.9 x 0.9 x 8.6 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#3,032 in Books (See Top 100 in Books)
This book was no fabulous read, was definitely hoping for more and the ending was disappointing. Each for their own.
I loved the story, and Toew’s straight forward, compelling presentation of characters.
Really could not get into it
This is a fictionalized account of a real-life occurrence."Between 2005 and 2009, in a remote religious Mennonite colony, over a hundred girls and women were knocked unconscious and raped, often repeatedly, by what many thought were ghosts or demons, as a punishment for their sins." As it turned out, 8 men from the colony were responsible for these attacks, and they were arrested and sent to prison for their crimes. But some of the girls that attacked were as young as three, and, as can be imagined, sexually transmitted diseases, unwanted pregnancies and PTSD were rampant. This book tells us how 8 fictional women meet together in a hayloft, and how they plan to protect themselves and their children by leaving the colony. The book is written as minutes of the meetings that were held in that hayloft. None of the 8 women could read, so they recruited a man to do the recording for them. The book unfolds as August Epp, who is a teacher in the colony, begins to fully understand what these women have been putting up with for many years. It's a story of survival and a story of women taking back their power over their own destinies. It's a difficult book to read, but it's an affirmation of the strength of women and also a testimonial to their determination to do whatever it takes to save their children and grandchildren. Miriam Toews does a masterful job of putting this down in writing, and with her stark prose, and her wonderful grasp of getting to the main issue, this book is a must-read for women today. The "me-too" society has brought all this to the forefront these days, so the book is timely and appropriate.
It was so interesting to read about women, with such rich vocabularies, yet unable to read or write. It was reminiscent of cultures with oral histories. I yearn for a sequel.
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