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Problem Solving for Oil Painters, by Gregg Kreutz
Free Download Problem Solving for Oil Painters, by Gregg Kreutz
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About the Author
Gregg Kreutz has won numerous honors as a student and professional painter. His paintings have been represented in many juried shows. Gregg is represented by the Fanny Garver Gallery as many others, including the Grand Central Galleries, New York, O'Brien's Art Emporium, and the Dirk Walker Gallery in Brimingham, Alabama. He teaches painting at Scottsdale (Arizona) Artists School, the Fechin Institute (New Mexico), and at the Art Students League in New York City where he lives.
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Product details
Hardcover: 144 pages
Publisher: Watson-Guptill; First Printing edition (October 1, 1986)
Language: English
ISBN-10: 0823044084
ISBN-13: 978-0823044085
Product Dimensions:
8.8 x 0.5 x 11.5 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
129 customer reviews
Amazon Best Sellers Rank:
#380,448 in Books (See Top 100 in Books)
This book is a great help in practical painting in oils! You will find many advices how to think about your painting, what you can do it to improve your picture, what can work for you. This is one of books that you can read it and after few chapters you will imediatly improve your painting skills! But this book is only for people that interesting in impresionistic kind of realism, not for glazing or academic drawing. It could also help if you doing acrylics and watercolor but its more for oil painters. It has many examples and pictures, its for begginers and intermediate students, maybe not to much for advanced painters (but they will also find something for them). One of the best book I read it to expand your posibilities and painting skills!
Kreutz has compiled a superb collection of problems and their corrections. Many of which can carry over to watercolour, acrylic, pastels etc. On the back cover is a list of topics which is very useful when you become familiar with the book. I find myself looking at the painting, not quite sure where the fix is, work my way down the list mentally assessing which corrections might work.If you like art in the style of Rembrandt, Caravaggio, and Chardin then you'll find plenty in here of interest. I read of a complaint about the photos not being in focus. For the most part I would say they are in focus - look at the signature and how crisp it is. Kreutz might be painting in a looser style than what some folks are used to. There are 2 or 3 pictures which could be considered out of focus but they get the subject matter across.100% Recommended and well worth the money.
Not quite what I thought it would be. I'm still a beginner, so it will be awhile for this book to really be a help to me. But looking through it, I can see where it will eventually be an asset.
I've learned just enough oil painting to understand that it is all problem solving. Experienced oil painter are faster because they have fewer problems to solve and more experience that informs their problem solving. I'm a beginning painter and know I will copy works in here for practice. My teacher has me copying "Sugar Pot" right now.
This book is filled with good advice for those of us who paint in David Leffel's style. As a painter of more than forty years I found it informative and helpful in my ongoing study of the painting process.While it didn't answer all my questions about my failures, it was quite helpful.
As any true artist can attest, real art does not just arrive from the soul of the artist. Rather it is more often than not the result of hard-won struggles with all sorts of problems. Art in its creation is not linear. It develops by answering questions like, "What makes form look dimensional?" "How does light flow?" "How can air be represented." If the content is too dominating and the technique too finished, the painting can look impersonal. It the artist is too dominating, to expressionistic, the painting can look self-indulgent.Gregg Kreutz in his "Problem Solving for Oil Painters" has assembled many of the questions that have occurred to him during his years as a painter. He examines the characteristics of a superior painting and shows through examples what makes one picture better than another. Some of those qualities include richness, mystery, simplicity, and focus.Kreutz appreciates individual expression and knows that each painter develops in his or her own way. He knows that painting is not a mechanical act. When it is, the end product will be unconvincing. Painting requires creativity, insight and empathy. He builds on these attributes which vary from individual to individual with the questions that painters frequently face. He answers these in a straightforward, agnostic manner that will be useful to all painters.This is an excellent book that will serve the intermediate to advanced to professional painter well. Kruetz's paintings have been represented in many juried shows, winning many high honors. The book is chock full of his work and I, for one, am glad. His work is inspirational and, with this book, he has forced me to raise the bar for my work by asking one question when I paint, "What are the attributes that can make this a better painting?" I no longer have any excuses - he provides plenty of answers.
Very informative and helpful for this intermediate painter.
...this book makes you think about where a painting starts, what idea drives it and how to achieve it with our chosen medium of oils. The insightfulness of the author's comments almost sounds philosophical at times, while, in fact, being extremely practical. An excellent resource for getting more quality into your painting. The author is obviously very experienced at painting with a gift for teaching, as well.There are many excellent example paintings, both positive and negative, well-reproduced on glossy paper. The book is a joy to look at (I like the author's style of painting) and very educational.This book has survived several reductions/turnovers in my home library and will no doubt survive them all. It's a keeper! Buy it now.
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